The first impression we have while observing the huge diversified production of Senso is the skill and the technique that this artist has in using spray. The first to use bombing to express an immediate creative emergency were the New York writers in the end of the Seventies. On large wall surfaces they shouted out rage and spat criticism against the society of that time. Over time the phenomenon had an enormous increase and the use of aerosol technique is becoming more sophisticated and complex, making its appaerence also on canvases and not just on the scraped walls of urban suburbs.
Senso’s approach to this technique is mainfold: from the creation of cluster of spirals (her identification sign) on the walls of abandoned places to the elaboration of bombing for the creation of expressive and perfect reprocessing of urban spaces photographies, but also more traditional landscapes on canvas. In her murales the classic hip hop aestetic is fouled by a personally vision: the 'rubbery' of mangas is combined with the essential and the resulting surreal imaginary, sometimes joyful, sometimes disturbing and unhealthy.
Further the aerosol art the artist express herself through full detailed drawings in black graphyte and marker, in which zoomorphic figures are grafted to plants or parts of human body with a line/sing in continuous evolution.
The artist also will present a range of sandwiches made by assembled cardboards, foam, plastic and other different materials, where she applies her drawning of black and white animals on.

Emanuele Sturlese a.k.a. Discordant